It’s been a while since I last posted here. Keeping up with Twitter (@LaFilm) and Facebook and the day job and family and working with filmmakers in all the time that’s left gets a bit hectic! But, hopefully, I can change that soon.
Let’s talk endings. I’ve recently completed editing two shorts. The first being Hotcakes, the first of the Short Stack series! Find out more about the film and it’s creator Jo Custer here Hotcakesmovie.com and here Hotcakes on Facebook. The online premiere began last night and continues until this evening at 6PM CST. Sorry, no link here. It probably wouldn’t do you any good anyway! If you want to see it after 6PM, email me and I’ll “hook you up”! We went through month’s of trials and tribulations to get it completed and gained a slew of great and talented people along the way. From Ryan Shovey for Color Correction and Mike Flood for our great music to Jeremy Pleasant for our final sound design and re-recording. BTW, we’re now in pre-production for the next installment… more to follow later…
The second film is Eric’s Illumination for Tony Pallo and Destiny Abagail Judah. Their Facebook Page is here. Eric’s also went through a lot of heartache to complete. We had issues from the start with little to no crew, people not taking the job seriously and a technical glitch that almost sidelined the project permanently! In addition, my editing workstation is having “issues”. The internal video drives are acting strangely (indicating an imminent failure.) My CPU started to overheat requiring an emergency rebuild to include a water cooling device. We managed to overcome those hurdles to have a finished product. I’ll post a link when I get the go ahead.
Now that I can relax, yeah… right… I’m off onto the next stage of the business, which is to take the downtime and reorganize the technical side of editing. So, let’s talk beginnings…
Over the next couple of months, I intend to rebuild my editing workstation and streamline it to it’s peak efficiency. I built it from scratch about 3 years ago based on an Asus P6T mobo and Intel i&-920 CPU. I call it “Gandalf” because of all the magical things it can do. Gandalf’s been a wonderful machine, but perhaps it’s time for an upgrade. I’ll keep it around and in operation as a rendering machine but perhaps it’s time to think new. I will be upgrading to Adobe Production Premium CS6 this summer and do believe that it needs a fresh new home. So my plans are as follows:
1. Rebuild Gandalf, but remove the GTX580 and GT520 video cards, saving them for later, and re-installing the older GTX280 video card. Gandalf will still have the 24GB of RAM, an internal 2GB RAID0 drive and it’s 500GB system drive. I’ll retain one of my 22″ ASUS monitors for good ol’ Gandalf.
2. Come up with a good name for the new computer. Keeping with the LOTR theme, my netbook is “Hobbit”, my daughter’s Mac is “Frodo”, and the wife’s laptop is “Legolas” mainly because she thinks he’s hot. I’m thinking long and hard about it and may settle for “Aragorn”. He was the King of Gondor, so… the king of computers??
3. Design “Aragorn”. I’m thinking of basing the new machine on the Asus P9X79 mobo and the Intel i7-3930 CPU. Add in 32GB of RAM to start, water cooler for the CPU, Blu-Ray burner and a SSD boot drive; and I think it’ll be a great start. I’m also looking at using the same configuration and adding an additional boot drive making the machine a Hackintosh! So, dual-boot Windows 7 Pro and Mac OSX (Lion?). Could be worth a shot! I’ll keep you posted on how things are going along with the upcoming trials and tribulations I WILL undoubtedly encounter!
I’m taking a break from editing two shorts to talk to y’all about what I’ve seen online these days. I follow a number of people and companies on Twitter and Facebook just to keep pace with the changes and trends in the industry. Just to list a few…
KesslerCrane.com (@KesslerCrane)
and many more…
These Twitterers, websites, forums, etc. are provide almost daily updates with new techniques, gear, and digital production tidbits that any digital filmmaker can use, or at least would be interested in!
Tony Reale of Next Wave DV is a filmmaker from the frozen north of Green Bay, WI. He’s one of those guys who works daily in the grind of video production while still thinking about how to create new business opportunities to benefit filmmakers as well as himself. To that end, he has launched a new company called NextLites.com. Next Lites is an online production lighting retailer that has tungsten, fluorescent, and LED offerings that should offer the quality and price point most of us want. These lights aren’t just a re-branding of fixtures currently available, but updated versions with a support system based here in the USA. Give ‘em a look see, it couldn’t hurt!
Emm over at Cheesycam.com and Olivia of OliviaTech.com are two great resources for video and filmmakers looking for new budget tools or DIY innovations. In recent months, I acquired, in addition to other items, a JuicedLink DIY slider and a Rokinon 35mm f2.8 lens. Both items were mentioned by Emm (the lens being a deal of the day) which caused me to do some research and make my selections. The fact that Emm scours the internet for links and deals should be reason enough to visit his site, but he will also purchase and review items and post his thoughts. A lot of his DIY projects are designed to be budget conscious and professional at the same time. Give him and Olivia a look as well.
I am really considering my options for camera movement and have looked at various cranes and dollies available. Some are plain fantastic but with sky high pricing. Others are not so hot with very cheap (in all senses of the word) prices, and others still are the pieces of crap with sky high prices. Where is the good gear with reasonable prices? I think I’ve found it at Kessler Crane. Their KC crane rigs look very robust and appear to be designed for a good deal of handling. Their non-slider dolly option, the K-Flex, looks to be There is a lot of options for sliders as well from the Pocket Dolly to the Philip Bloom Signature series dolly. They also provide gear and support for motion control, either for live action or timelapse uses. I haven’t decided on what I will buy just yet, but Kessler looks to be the crane & dolly for me. I’ll post more when it all comes together. One other thing Kessler has that has won me over is Kessler University. They provide online training videos on all of their products as well as other training vids on things like timelapse, lighting, productions, etc.
There are many forums out there as well to serve the production needs of almost everyone. There’s the Planet5d forum and Cinema5D forum, (no relation) which concentrate on HDSLR issues, DVinfo.net, which covers almost everything in production, and even new ones that are just getting off the ground like Philip Bloom’s new forum on his website. These are great resources for any filmmaker wanting to either ask questions or just see what others are talking about. Again, very much worth a visit.
These are just a few of the websites I visit. There are many others, I assure you, but if you have other suggestions for the world, make a comment below and I’ll check ‘em out.
Hotcakes - “Three men. One diner. A finite drip of batter. An endless supply of trouble.”
While Marty waits for his ex-wife to arrive at their usual meeting place, he runs into two others like him who have different ideas about how to spend the night. Three ex-cons meet randomly and end up being responsible for each other’s futures — and, perhaps more importantly, aware of their influence.
So goes the story of our short film “Hotcakes”. The film itself is a great little project produced by Jo Custer and myself. One way or the other we were guaranteeing payment to cast and crew, even if that meant flipping burgers at 3AM to make ends meet. We decided to try a crowd-funding campaign through Kickstarter.com. There are options out there. Indiegogo is one of those and sets things up so you can keep whatever funds you raise even if you don’t reach your goal. Kickstarter only delivers the full amount pledged if the goal has been reached on time.
Some people say that getting something is better than nothing and would opt for Indiegogo. We felt that by going the all or nothing route, we would show to our potential backers that we have “skin in the game.” It would also make us push and work for the goal. We actually started the campaign AFTER principle photography was completed. Getting the word out was the most difficult part of the campaign. We (Jo Custer, Cassie Giveans, myself, and others) would post the link on Twitter and Facebook and ask for backers and sharing of the link. A lot of the time we got back nothing but the sound of crickets in the background.
The first few days of the campaign, we did get a few backers and our total pledged went to about 10% pledged. Every day we would post a link on Facebook and Twitter and wait to see the effect. Jo would post a new production still as we attained our next goal of a certain number of “likes” on the Facebook page. The worst part of the entire campaign seemed to me to be when we broke the $1000.00 mark. Pledges simply stopped. I don’t know the psychology of it but perhaps potential backers who were on the fence saw we were near halfway and felt that they didn’t need to help out just then. I don’t really know why, but it did raise the stress levels!
As we approached single digit days left, the push came. I personally asked and begged and cajoled everyone I knew to give at least a buck, one measly simoleon, a little greenback, the smallest paper denomination of US currency. We needed to keep the momentum up. As the time approached the 48 hour mark, things started to happen. There are a few procrastinators out there I imagine, who waited until the last minute. Pledges started rolling in! I actually received a series of pledges from people I know through work who wanted to remain anonymous. That bump pushed us way up. As the clock ticked down, with mere hours remaining, I saw on my phone a Facebook message (or was it a tweet?) that made me stop short. (I was driving at the time… I know, my bad.) The total pledged had just EXCEEDED our goal! We made it with a few hours to spare!
Satisfied, and exhausted, I continued on my way to wherever it was that I was heading. The money was ours! It is going to be used to pay our talent, composer, colorist, promotional materials, and a Tetanus Shot after our DP stepped on a rusty nail.
I have been asked what I’ll get out of all this:
- Financially – nothing yet. Let’s finish the film and get it out there first.
- Emotionally – Everything! The campaign proved to me that there are still true patrons of the arts and Independent Cinema out there and that our work has merit.
- Anything Else – More headaches and stress (in a good way) as we prepare for the next short to be shot in May. (More on that later.)
Now, will I do this again? I’d have to think long and hard about it depending on the project, but I’m leaning toward YES. We’ve built a base with this film and crowd-funding campaign. We can build upon that the next time. My advice to those who are thinking about this: It’s a risk, but a worthwhile one! Make sure you are realistic about your goals AND your budget. You can hope for the moon and stars, but shoot for something lower. Get the word out and keep it out there. One post on Twitter or Facebook won’t cut it. Press the digital flesh and get the word out. Enlist family and friends to help. It won’t magically happen. You need to work for it.
It’s not worth it if you don’t earn it! All good things…
Now it’s off to get the trailer complete, get picture lock and send it off for music and color. More on this later!
While I sit here watching the Saints play the 49ers in the divisional playoffs, I figured I could use the time to update y’all as well.
Last week I had a bit of an upset… it’s a bit of an understatement… I was about to have a heart attack! I KNOW you never update your system, make changes, or anything like that when you are in the middle of an edit. I am in the middle of editing both Hotcakes and Eric’s Illumination, two local indie shorts. My system was running a slower GPU (graphics processing unit), a BFG GTX 280. It was capable, but nowhere near what I needed. I also wanted to update the amount of RAM I was running, again to speed things up.
I thought about it, and figured that, as long as I am not making any changes to the hard drive or system settings, I would be OK. I opened the box, swapped out the old graphics card for an EVGA GTX 580 AND an EVGA GT 520.
(Game update: Saints just scored a touchdown! 24 – 23 against SF!)
OK, back to the update. I wanted the two graphics cards to run my three 22″ monitors. I like the idea of major screen real estate. Since the driver for the old card and the new cards was the same, everything worked great.
I then replaced the 6 sticks of 2GB RAM for 6 sticks of 4GB RAM, giving me a total of 24GB of RAM. Adobe Premiere and After Effects loved it! I figured I was golden at this point, but…
There’s always a but, isn’t there?
I was running a Core Temp gadget on my desktop and noticed that temps were hovering around 90C. Not good. They usually hovered around 40C. If I wasn’t careful, I could easily burn up the CPU, motherboard, computer, or the entire house!
Grrr…
Best Buy came to the rescue. The local store had a Corsair H60 water cooling unit in stock! (A great simple $69.00 buy.) Running back home, I installed the unit. I had to basically tear the machine apart to install the unit. After carefully and thoughtfully putting everything back in place, I pressed the ON button.
Nothing.
I restarted, and again, nothing.
I left things alone and went to dinner. Let things be for a while and go back with a fresh frame of reference. It was my anniversary and we had reservations. After being married for 29 years, I know my wife. We had reservations and there was nothing on this earth that would have prevented us from going! So, we had a great time.
When we returned, she let me play with the computer for a few minutes. Thinking about everything that had happened, I disconnected and reconnected each cable and made sure that the drives were connected to the correct ports.
With crossed fingers, I pressed the ON button and…
like butta… everything worked! I had crossed two of the SATA cables and the machine didn’t like that. Now that everything was operational again, I checked Core Temps again. They rose and fell with processing, but were now hovering or averaging around 39C! Life is good again!
Both Eric’s Illumination and Hotcakes are in the rough cut stage. They’re respective directors and producers are happy so far with the product, and, isn’t that the point?
(Game update: Saints just scored another touchdown! 32-29!!!)
OK, back to the update…
I realize that I am concentrating on the tech side of editing and not the esthetic side. I’ll cover that in a later update. Now, was I worried about losing things if the machine went tits up? Actually, not really. I had previously backed up my video RAID to a networked drive, my DROBO device. I had also installed a little program called GoodSync that watches my video folders and copies over, in the background, any changes I’ve made. If I lost anything, then it would be 5-10 minutes worth of work. That’s acceptable. I’ve learned that lesson the hard way. ALWAYS BACKUP YOUR WORK!
So for now, all is well with the world. I’ll post an update soon about my actually non-technical editing process so y’all can see what I do and, maybe, tell me where I’m wrong!
(Scheise… 49ers won.)
So maybe everything is not well with the world… at the game at least… but in film editing, everything is currently copacetic!
Now I’ll go cry into my beer!
OK, horse racing analogies aside, I have begun full fleged post-production mode with Hotcakes and Eric’s Illumination. We just wrapped production on Hotcakes, the new short by Jo Custer, this week and now the ball is in my court. Eric’s Illumination, by Tony Pallo and Destiny Abigail Judah, wrapped a few weeks ago, but I’m still gathering the elements needed to finish the edit. Both films are a challenge in different ways. One will require a helluva lot of CGI, ADR, and TLC to complete. The other will be more straight forward but with a nearer deadline and a director who deserves the best.
Each film will get the best I can deliver… and then some. I feel a bit overwhelmed at the moment, but I always do when starting a new project. I’ve discovered, at least with myself, that it’s the starting of a project, or phase of a project that is intimidating. It makes me want to just get in the car and drive to Florida… (Jo, that’s for you…) But once I begin, the edit usually flows and I only stop when my head crashes on the keyboard or my wife needs me to take care of the garbage. I’m domesticated, don’t you know…
OK, how do I start? It’s actually pretty easy, yet time consuming. Step One is to copy all of the footage to my “Video Raid”. It’s organized by shoot date and by camera. On Hotcakes we used a Canon 7D and 60D and recorded audio to a Zoom H4N digital recorder. The next step is to protect the footage by duplicating it on another drive for safety. I’m copying all of the original files over to a networked drive. I’ll also copy over the project files at the end of each edit. I’ve become a huge stickler about backing up my files. Too recently, I’ve been burned by taking digital files for granted and having them deleted. Not a good thing!
For Eric’s Illumination, I’ve started editing and have been manually syncing the audio and video files. It’s time consuming, but relatively easy… if you’ve used a slate. For Hotcakes, I’m not going that route. I’ve played with PluralEyes software when I was playing in the 48 Hour Film Project. We shot with a Canon T2i and recorded double-system sound with the Zoom H4n. There wasn’t time to conform audio and video by hand, so I downloaded the free 30-day trial and synced everything up. It went like a charm! I will use Pluraleyes again for Hotcakes. I’ll have to buy the full program, but for $149.00, it’s well worth the price. Check it out for yourself if you don;t believe me!
I’ll post more as the post-production progresses for both films!
SIDE NOTE: While working on Hotcakes, I’ve gotten some hands on time with both the 7D and the 60D. Granted, they’re not the Canon C300 Cinema EOS camera or anywhere near a RED camera, but they take some gorgeous pictures! I’m thinking about upgrading my T2i to another HDSLR but need to make a decision. Which one? I’ll post my thoughts here a little later on on my version of the pro’s and con’s of the T2i(550D) vs. the 60D vs. the 7D vs. the 5DMkII. Your comments are most welcome!
Hotcakes is a short film scheduled to go into production around Thanksgiving 2011! The story, written by Jules Alder, follows a trio of men very recently released from prison. The final script was completed just last night! Production will take place over a three night period near the end of November, details to follow, in St. Bernard Parish.
Hotcakes is a micro-budget production that will concentrate on story and not special effects. As they say, content is king! There will be a fundraiser held on location soon and a Kickstarter campaign to raise funds, again, details to follow. If you’d like to know more, read the original 5 page script, get to know the characters, go on over to Hotcakesmovie.com and look around. More information will be posted there as well.
If you’d like to help, donate, or attend the fundraiser, then simply give me a shout!
I recently completed a series of VFX shots for the short “Toll Road”. Most of these shots were in the category of “annoyance removal”. In other words, removing those annoying items left in unnoticed in the frame during production. Those included a crew members’ reflection in a window, c-stands left against a wall, a BBQ pit that couldn’t be removed at all, and most annoyingly… several blaring red fire alarms on exterior walls.
Now, everyone knows, or should know, that the best way to handle this is to make sure you don’t include it in the first place! Well, I hate to admit it but, that’s easier said than done! And once it’s there and you can’t reshoot, what do you do?
Fix it in Post!
Fixing it in post is a bit of a challenge. The camera moves a bit in most shots. Not a lot of movement, mind you, but enough to make life difficult. And then the actors move in front of said annoyances which basically triples the amount of work necessary to fix. What to do? I must say, that my task was made a whole lot easier when I decided a long while ago to use the Adobe Prodcution Premium Suite of programs! I’m currently using CS5.5 and love the ease in which the different programs integrate with each other. After editing the short using Premiere, I could easily see which shots needed touch up. The process is actually relatively straight forward.
PHOTOSHOP
Step One: Locate a clean frame (or as clean as possible) within the shot that has the offending element and export it as a .PNG (portable network graphic) file. I then open that file with Photoshop and save it as a .PSD file. This way I can go back and re-edit if neccesary.
Step Two: I duplicate the layer and edit the new copy. This way I have an unblemished layer to work with if something happens that I can’t undo using the History panel. I then use the “Spot Healing Brush” to simply and easily remove the item from the background. It’s a very easy process. Here’s a link to a video on Adobe TV that explains it better than I could: Spot Healing Brush with Content Aware.
Step Three: Once I have made my corrections to the still, my next step is to select and delete everything in the frame that I don’t need, leaving only the “fixed” areas. I then use the eraser to erase and feather the edges of the fixed bits to blend them into the video.
Step Four: Save the darn .PSD file then save again as a .PNG. The PNG file will save the transparent areas so I won’t have to worry too much about alpha channels and all that humbug!
PREMIERE
Step One: Right click on the offendoing clip and select “Replace with After Effects Composition”. This will open After Effects, allow you to save it as a new .AEP (After Effects Project) file and give you what you need to remove those annoyances.
AFTER EFFECTS
Step One: Select a point in your clip that is visible throughout and track the motion of that clip. Take a look at this clip to give you an idea of what this is all about. Motion Tracking and Rotoscoping.
Step Two: Import your corrected PNG file and drag it to the composition. Apply the tracking data to it. You may have to adjust the positioning of the PNG file to get it right.
Step Three: preview the Comp. If it’s good, render it out; if not, fix it!
Step Four: This is the hardest. If the talent goes in front of what you’re replacing, you need to duplicate the video footage, layer it on top of the PNG file, create a mask, and painstakingly frame by frame make sure your annoyance stays out of view while keeping your talent looking normal. I’m not going to go into detail here, but if you want to know more, go to Video CoPilot.net. Those guys are AE experts!
Back to PREMIERE
Your project should now include the results of your efforts and the new video has none of the distractions of which you were previously plagued. Life is good. My learning curve wasn’t as immense as I thought it would be, but I did learn one huge thing. Most VFX and compositing isn’t done for special effects like laser beams, flying munchkins, or the like. It is for small corrections and updates; things that you might overlook while watching but would bug you subconsciously. The best editing (and VFX compositing) is where the viewer sees none at all!
I’d suggest you visit the links above and search for others, then try it out yourself. Good Luck and enjoy!
Yesterday I received two award certificates from the 2011 New Orleans 48 Hour Film Project. I knew I had won these but didn’t get the actual certificates until yesterday due to a number of unrelated reasons! Ah well… C’est La Vie! Still, I wanted to share these accomplishments with everyone who helped make that long 48 hours a success!
Our film, Marshall for Senate, won the Audience Award Honorable Mention for Group B and our 48 second trailer won Best Trailer at the IFN 48 Hour Recap Screening. I again want to thank my cast and crew for all of their hard work during this fun and tiring weekend!
I am an independent filmmaker here in the Greater New Orleans area. I am constantly trying to improve my craft, at times by bettering my gear, at others by bettering my techniques. I am always in “learning mode”. There’s always something new out there that you can add to your kit. Go find it! In addition, I am constantly trying to expand my “circle of friends” and establish relationships with other independent filmmakers in this area and beyond. Making and maintaining these relationships is very important. Do what it takes to help out when you can. If it’s for pay, terrific! If not, do it for the experience and the potential for future work. Also, you will have others in your now expanded circle to help you on YOUR film!
We are all “doing what it takes” to see our visions realized. A lot of people are trying to make it or break into the “industry” by working as P.A.’s, grips, extras, etc. I have nothing but respect for anyone who has a goal and does what it takes to realize it! This is what I believe this country is all about; seeing an opportunity, knowing the risks and going for it anyway! Kudos to you!
There are others out there, like myself, that are taking another route to realize their creative visions. We work day jobs and spend whatever free time we have working toward our dreams. There are obstacles in whatever way we choose. Neither is the right way nor is it the wrong way! I’m trying my best to “do what it takes” to see my films finished. After working 8-10 hours a day to feed my family, I am editing a piece for a friend. I am shooting on Sundays for another. I am also planning MY next opus and looking for ways to accomplish it. We do what it takes.
OK, what the hell am I really saying? Do whatever it takes to see YOUR vision realized! Make colleagues and friendships. Keep your eyes open and constantly be learning. Help out when and where you can. Don’t burn your bridges behind you. Struggle but go for it. Don’t be put off by the naysayers who think they are better than everyone else. They don’t know you! Your vison probably is much different from mine but that doesn’t make it any less valid. We need to help each other and work together to see our dreams realized. We can do it! We can do what it takes!
On Twitter, I am known as @LaFilm. If you follow me, or not, let’s start this trending: #NOLAFilm. If you have a nugget of information to share, something of interest to our local filmmakers, a cool website or posting, or just want to say hello; then tweet it with this hashtag! Spread the word and let’s build a true community of filmmakers!




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